|
|
@@ -13,13 +13,13 @@ has_experiments: [] |
|
|
|
|
|
|
|
## Alex Ahmed |
|
|
|
|
|
|
|
[Alex](https://scholar.google.com/citations?user=Gc8T8LkAAAAJ&hl=en) talks to us about [Project Spectra](https://github.com/project-spectra), an online community-based, free and open source software application for transgender voice training. We discuss speech pathology and the politics of pitch, along with the importance of grass-roots led tech projects and community-centred design. |
|
|
|
[Alex](https://scholar.google.com/citations?user=Gc8T8LkAAAAJ&hl=en) talks to us about [Project Spectra](https://github.com/project-spectra), an online, community-based, free and open source software application for transgender voice training. We discuss speech pathology and the politics of pitch, along with the importance of grass-roots led tech projects and community-centred design. |
|
|
|
|
|
|
|
![Interview conducted on 21 September, 2020](audio:https://machinelistening.exposed/library/Alex%20Ahmed/Alex%20Ahmed%20(22)/Alex%20Ahmed%20-%20Alex%20Ahmed.mp3) |
|
|
|
|
|
|
|
## Stefan Maier |
|
|
|
|
|
|
|
[Stefan's](http://stefanmaier.studio/info/) 2018 [dossier on machine listening for Technosphere](https://technosphere-magazine.hkw.de/p/1-WaveNet-On-Machine-and-Machinic-Listening-a2mD8xYCxtsLqoaAnTGUbn) puts the work of artists like George Lewis, Jennifer Walshe, Florian Hecker, and Maryanne Amacher into conversation with Google's wavenet. We talk about these and other works along with Stefan's own work which treats machine listening as a prepared instrument, ready to be detourned. |
|
|
|
[Stefan's](http://stefanmaier.studio/info/) 2018 [dossier on machine listening for Technosphere](https://technosphere-magazine.hkw.de/p/1-WaveNet-On-Machine-and-Machinic-Listening-a2mD8xYCxtsLqoaAnTGUbn) puts the work of artists like George Lewis, Jennifer Walshe, Florian Hecker, and Maryanne Amacher into conversation with Google's wavenet. We talk about these and other works along with Stefan's own compositions which treat machine listening as a prepared instrument, ready to be detourned. |
|
|
|
|
|
|
|
![Interview conducted on 11 September, 2020](audio:https://machinelistening.exposed/library/Stefan%20Maier/Stefan%20Maier%20(21)/Stefan%20Maier%20-%20Stefan%20Maier.mp3) |
|
|
|
|
|
|
|