From 98165e7e2121d680e7dcd6a6d1a4300a9c4ebe27 Mon Sep 17 00:00:00 2001 From: Alisa Date: Wed, 9 Sep 2020 16:47:52 +0800 Subject: [PATCH] move full stop so it stops hanging in space --- content/curriculum/index.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/content/curriculum/index.md b/content/curriculum/index.md index a8a0bc3..60130a8 100644 --- a/content/curriculum/index.md +++ b/content/curriculum/index.md @@ -7,7 +7,7 @@ has_topics: ["against-the-coming-world-of-listening-machines.md", "lessons-in-ho Our devices are listening to us. Previous generations of audio-technology transmitted, recorded or manipulated sound. Today our digital voice assistants, smart speakers and a growing range of related technologies are increasingly able to analyse and respond to it as well. Scientists and engineers increasingly refer to this as “machine listening”, though the first widespread use of the term was in computer music. Machine listening is much more than just a new scientific discipline or vein of technical innovation however. It is also an emergent field of knowledge-power, of data extraction and colonialism, of capital accumulation, automation and control. It demands critical and artistic attention. -MACHINE LISTENING is a new investigation and experiment in collective learning, curated by James Parker, Joel Stern and Sean Dockray for [Liquid Architecture](liquidarchitecture.org.au/ "Liquid Architecture") and launched at [**Unsound 2020: Intermission**](https://www.unsound.pl/en/intermission "Unsound"). +MACHINE LISTENING is a new investigation and experiment in collective learning, curated by James Parker, Joel Stern and Sean Dockray for [Liquid Architecture](liquidarchitecture.org.au/ "Liquid Architecture") and launched at [**Unsound 2020: Intermission.**](https://www.unsound.pl/en/intermission "Unsound") Across three days at the start of October, we will come together to investigate the implications of the coming world of listening machines in both its dystopian and utopian dimensions. Comprising conversations, performance, provocations and writing from contributors around the world, the online gatherings are divided into three sections, open to all: