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content/topic/lessons-in-how-(not)-to-be-heard.md
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| @@ -37,11 +37,12 @@ Speak in code; become the code you speak; entitle your next album Adversarial Mu | |||||
| ## Lesson 5: How to be (in)audible by having nothing to hide | ## Lesson 5: How to be (in)audible by having nothing to hide | ||||
| Enjoy being listened to; get your coronavirus diagnosis over the phone; get your coronavirus diagnosis without ever asking to be tested; let google book your haircut for you; ask your voice assistant for advice about your polyamorous relationship [Kathy Reid: 59.15 - 1.02.07]; listen to "ambient music for reading" on your smart headphones, forever; become an evangelist of technosolutionism; allow yourself to be convinced that the main problem is privacy; petition the court for access to your partner's Alexa archive; enjoy extraordinary rendition and extrajudicial drone killings; enjoy being unable to get a loan or access state services and not knowing why. | |||||
| Enjoy being listened to; get your coronavirus diagnosis over the phone; get your coronavirus diagnosis without ever asking to be tested; let google book your haircut for you; ask your voice assistant for ;[^reid] listen to "ambient music for reading" on your smart headphones, forever; become an evangelist of technosolutionism; allow yourself to be convinced that the main problem is privacy; petition the court for access to your partner's Alexa archive; enjoy extraordinary rendition and extrajudicial drone killings; enjoy being unable to get a loan or access state services and not knowing why. | |||||
|  |  | ||||
| # Bibliography | # Bibliography | ||||
| [^Forensic]: LIBRARY Forensic Architecture, Violence at the Threshold of Detectability (2017),p27. | [^Forensic]: LIBRARY Forensic Architecture, Violence at the Threshold of Detectability (2017),p27. | ||||
| [^forensic listening]: LIBRARY Lawrence Abu Hamdan, “Aural Contract–Forensic Listening and The Reorganization Of The Speaking Subject,” Cesura//Acceso 1 (2014): 200; James Parker, "Forensic Listening in Lawrence Abu Hamdan’s Saydnaya (the missing 19dB)" *Index* (2020). | [^forensic listening]: LIBRARY Lawrence Abu Hamdan, “Aural Contract–Forensic Listening and The Reorganization Of The Speaking Subject,” Cesura//Acceso 1 (2014): 200; James Parker, "Forensic Listening in Lawrence Abu Hamdan’s Saydnaya (the missing 19dB)" *Index* (2020). | ||||
| [^Ahmed]: LIBRARY Alex Ahmed, 'Online Community-based Design of Free and Open Source Software for Transgender Voice Training' (2020); Alex Ahmed, 'Trans Competent Interaction Design: A Qualitative Study on Voice, Identity, and Technology' *Interacting with Computers* (2018) | |||||
| [^Ahmed]: LIBRARY Alex Ahmed, 'Online Community-based Design of Free and Open Source Software for Transgender Voice Training' (2020); Alex Ahmed, 'Trans Competent Interaction Design: A Qualitative Study on Voice, Identity, and Technology' *Interacting with Computers* (2018) | |||||
| [^reid]: Interview with [Kathy Reid](https://blog.kathyreid.id.au/) on 11 August, 2020 | |||||