From b03fd8379b376db3668060c68f6deaf43861dcf6 Mon Sep 17 00:00:00 2001 From: Sean Dockray Date: Fri, 25 Sep 2020 23:25:13 +1000 Subject: [PATCH] allow nosup links to be black --- content/curriculum/index.md | 2 +- data/books/catalog.json | 2 +- themes/sandpoints/assets/css/site.css | 4 ++++ themes/sandpoints/assets/css/site.min.css | 2 +- themes/sandpoints/layouts/shortcodes/nosup.html | 2 +- 5 files changed, 8 insertions(+), 4 deletions(-) diff --git a/content/curriculum/index.md b/content/curriculum/index.md index dd6932d..dbc972b 100644 --- a/content/curriculum/index.md +++ b/content/curriculum/index.md @@ -12,7 +12,7 @@ MACHINE LISTENING is a new investigation and experiment in collective learning, ## Contributors -{{< nosup >}}[Angie Abdilla (Old Ways New)](https://liquidarchitecture.org.au/artists/angie-abdilla "A Palawa woman applying Indigenous cultural knowledges to inform placemaking, strategic design and deep technologies."){{< /nosup >}}, {{< nosup >}}[Lawrence Abu Hamdan](https://liquidarchitecture.org.au/artists/lawrence-abu-hamdan "Private Ear with an interest in sound and its intersection with politics"){{< /nosup >}}, {{< nosup >}}[Alex Ahmed (Project Spectra)](https://liquidarchitecture.org.au/artists/alex-ahmed "Applying software development and data visualization techniques to promoting social change, understanding and communicating injustice, and improving the health and wellness of oppressed people."){{< /nosup >}}, {{< nosup >}}[Mark Andrejevic](https://liquidarchitecture.org.au/artists/mark-andrejevic "Professor in the School of Media, Film, and Journalism at Monash University, who contributes expertise in the social and cultural implications of data mining, and online monitoring"){{< /nosup >}}, {{< nosup >}}[Andrew Brooks](https://liquidarchitecture.org.au/artists/andrew-brooks "Sydney-based artist, writer, curator and organiser whose work takes the form of installations, performances, text works and sound recordings."){{< /nosup >}}, {{< nosup >}}[DeForrest Brown Jr. (Speaker Music)](https://liquidarchitecture.org.au/artists/deforrest-brown-jr "New York-based theorist, journalist, and curator, who produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign."){{< /nosup >}}, {{< nosup >}}[Kate Crawford (AI Now)](https://liquidarchitecture.org.au/artists/kate-crawford "A leading researcher and professor who has spent the last decade studying the social implications of data systems, machine learning and artificial intelligence."){{< /nosup >}}, {{< nosup >}}[André Dao](https://liquidarchitecture.org.au/artists/andre-dao "Writer, editor, and researcher; and the co-founder of Behind the Wire, an oral history project documenting people’s experience of immigration detention"){{< /nosup >}}, {{< nosup >}}[Debris Facility](https://liquidarchitecture.org.au/artists/debris-facility "Debris Facility Pty Ltd is a queer Corporate Entity which entangles itself with Bodies, Complicating their Borders with Haptic Interfaces"){{< /nosup >}}, {{< nosup >}}[Mat Dryhurst (Interdependence)](https://liquidarchitecture.org.au/artists/mat-dryhurst "An artist and researcher based in Berlin Germany, whose research focuses on technical and ethical protocols."){{< /nosup >}}, {{< nosup >}}[Jasmine Guffond](https://liquidarchitecture.org.au/artists/jasmine-guffond "Artist and composer working at the interface of social, political and technical infrastructures. Her practice spans live performance, recording, sound installation and custom made browser add-on."){{< /nosup >}}, {{< nosup >}}[Jenny Kennedy](https://liquidarchitecture.org.au/artists/jenny-kennedy "Postdoctoral research fellow in Media and Communication at RMIT University, Melbourne, whose projects focus on digital inclusion of low-income populations, and the gendering of AI and automation in home environments"){{< /nosup >}}, {{< nosup >}}[Vladan Joler](https://liquidarchitecture.org.au/artists/vladan-joler "Co-founder of SHARE Foundation, and leader of SHARE Lab: a research and data investigation lab for exploring different technical aspects of the intersections between technology and society."){{< /nosup >}}, {{< nosup >}}[Karolina Iwańska (Panoptykon Foundation)](https://liquidarchitecture.org.au/artists/karolina-iwanska "Karolina Iwańska is a lawyer and policy analyst advertising at the Panoptykon Foundation and a 2019/20 Mozilla Tech Policy Fellow working on targeted advertising. "){{< /nosup >}}, {{< nosup >}}[Jules LaPlace](https://liquidarchitecture.org.au/artists/jules-laplace "Programmer and musician based in Berlin, creating artwork and conducting research with machine learning and data sonification."){{< /nosup >}}, {{< nosup >}}[Halcyon Lawrence](https://liquidarchitecture.org.au/artists/halcyon-lawrence "Assistant Professor of Technical communication at Towson University in Maryland, whose scholarship focuses on speech intelligibility and the design of speech interactions, particularly for under-represented user populations."){{< /nosup >}}, {{< nosup >}}[Jùnchéng Billy Lì](https://liquidarchitecture.org.au/artists/juncheng-billy-li "Ph.D. Student at the Language Technology Institute, Carnegie Mellon University, who has spent four years researching topics related to deep learning, including working on Deep Learning’s applications in audio and multi-modal data."){{< /nosup >}}, {{< nosup >}}[Stefan Maier](https://liquidarchitecture.org.au/artists/stefan-maier "Artist and composer based in Vancouver, Canada, whose compositions, installations, and performances, examine historical and emergent sound technologies."){{< /nosup >}}, {{< nosup >}}[Shannon Mattern](https://liquidarchitecture.org.au/artists/shannon-mattern "Professor in the Department of Anthropology at The New School in New York. Her writing and teaching focus on archives, libraries, and other media spaces; media infrastructures; spatial epistemologies; and mediated sensation and exhibition."){{< /nosup >}}, {{< nosup >}}[Lauren McCarthy](https://liquidarchitecture.org.au/artists/lauren-mccarthy "An artist examining social relationships in the midst of surveillance, automation, and algorithmic living, and the creator of p5.js, an open source programming language for learning creative expression through code online."){{< /nosup >}},{{< nosup >}} [Yeshimabeit Milner (Data for Black Lives)](https://liquidarchitecture.org.au/artists/yeshimabeit-milner "Founder & Executive Director of Data for Black Lives:a movement of activists, organizers, and mathematicians committed to the mission of using data science to create concrete and measurable change in the lives of Black people."){{< /nosup >}}, {{< nosup >}}[Jazz Money](https://liquidarchitecture.org.au/artists/jazz-money "A poet and filmmaker of Wiradjuri heritage. She specialises in story telling, community collaboration and digital production."){{< /nosup >}}, {{< nosup >}}[Thao Phan](https://liquidarchitecture.org.au/artists/thao-phan "Feminist STS researcher who specializes in gender, AI, and algorithmic cultures, and Research Fellow at the Alfred Deakin Institute for Citizenship and Globalisation."){{< /nosup >}}, {{< nosup >}}[Kathy Reid (Mozilla)](https://liquidarchitecture.org.au/artists/kathy-reid "Working at the intersection of open source, emerging technologies and technical communities, She was previously Digital Platforms Manager at Deakin University, Director of Developer Relations at Mycroft.AI, President of Linux Australia, and a voice open source specialist at Mozilla."){{< /nosup >}}, {{< nosup >}}[Joel Spring](https://liquidarchitecture.org.au/artists/joel-spring "A Wiradjuri man raised between Redfern and Alice Springs who works across research, activism, architecture, installation and speculative projects."){{< /nosup >}}, {{< nosup >}}[Tom Smith](https://liquidarchitecture.org.au/artists/tom-smith "Sydney based artist, curator and musician, whose interests include the tyranny and poetics of the generic, aesthetic standardisation in music production, and the emancipatory potential of default media platforms."){{< /nosup >}}, {{< nosup >}}[Yolande Strengers](https://liquidarchitecture.org.au/artists/yolande-strengers "Digital sociologist and human-computer interaction scholar investigating the energy and gender effects of digital, emerging and smart technologies on how we live and engage with each other."){{< /nosup >}},{{< nosup >}}[Hito Steyerl](https://liquidarchitecture.org.au/artists/hito-steyerl "Artist, filmmaker and writer, with a focus on media, technology and the distribution of images."){{< /nosup >}}, {{< nosup >}}[Jennifer Walshe](https://liquidarchitecture.org.au/artists/jennifer-walshe "Composer, performer and visual artist of whom the Irish Times has said that “without a doubt, hers is the most original compositional voice to emerge in Ireland in the last 20 years”."){{< /nosup >}}. +{{< nosup black >}}[Angie Abdilla (Old Ways New)](https://liquidarchitecture.org.au/artists/angie-abdilla "A Palawa woman applying Indigenous cultural knowledges to inform placemaking, strategic design and deep technologies."){{< /nosup >}}, {{< nosup black >}}[Lawrence Abu Hamdan](https://liquidarchitecture.org.au/artists/lawrence-abu-hamdan "Private Ear with an interest in sound and its intersection with politics"){{< /nosup >}}, {{< nosup black >}}[Alex Ahmed (Project Spectra)](https://liquidarchitecture.org.au/artists/alex-ahmed "Applying software development and data visualization techniques to promoting social change, understanding and communicating injustice, and improving the health and wellness of oppressed people."){{< /nosup >}}, {{< nosup black >}}[Mark Andrejevic](https://liquidarchitecture.org.au/artists/mark-andrejevic "Professor in the School of Media, Film, and Journalism at Monash University, who contributes expertise in the social and cultural implications of data mining, and online monitoring"){{< /nosup >}}, {{< nosup black >}}[Andrew Brooks](https://liquidarchitecture.org.au/artists/andrew-brooks "Sydney-based artist, writer, curator and organiser whose work takes the form of installations, performances, text works and sound recordings."){{< /nosup >}}, {{< nosup black >}}[DeForrest Brown Jr. (Speaker Music)](https://liquidarchitecture.org.au/artists/deforrest-brown-jr "New York-based theorist, journalist, and curator, who produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign."){{< /nosup >}}, {{< nosup black >}}[Kate Crawford (AI Now)](https://liquidarchitecture.org.au/artists/kate-crawford "A leading researcher and professor who has spent the last decade studying the social implications of data systems, machine learning and artificial intelligence."){{< /nosup >}}, {{< nosup black >}}[André Dao](https://liquidarchitecture.org.au/artists/andre-dao "Writer, editor, and researcher; and the co-founder of Behind the Wire, an oral history project documenting people’s experience of immigration detention"){{< /nosup >}}, {{< nosup black >}}[Debris Facility](https://liquidarchitecture.org.au/artists/debris-facility "Debris Facility Pty Ltd is a queer Corporate Entity which entangles itself with Bodies, Complicating their Borders with Haptic Interfaces"){{< /nosup >}}, {{< nosup black >}}[Mat Dryhurst (Interdependence)](https://liquidarchitecture.org.au/artists/mat-dryhurst "An artist and researcher based in Berlin Germany, whose research focuses on technical and ethical protocols."){{< /nosup >}}, {{< nosup black >}}[Jasmine Guffond](https://liquidarchitecture.org.au/artists/jasmine-guffond "Artist and composer working at the interface of social, political and technical infrastructures. Her practice spans live performance, recording, sound installation and custom made browser add-on."){{< /nosup >}}, {{< nosup black >}}[Jenny Kennedy](https://liquidarchitecture.org.au/artists/jenny-kennedy "Postdoctoral research fellow in Media and Communication at RMIT University, Melbourne, whose projects focus on digital inclusion of low-income populations, and the gendering of AI and automation in home environments"){{< /nosup >}}, {{< nosup black >}}[Vladan Joler](https://liquidarchitecture.org.au/artists/vladan-joler "Co-founder of SHARE Foundation, and leader of SHARE Lab: a research and data investigation lab for exploring different technical aspects of the intersections between technology and society."){{< /nosup >}}, {{< nosup black >}}[Karolina Iwańska (Panoptykon Foundation)](https://liquidarchitecture.org.au/artists/karolina-iwanska "Karolina Iwańska is a lawyer and policy analyst advertising at the Panoptykon Foundation and a 2019/20 Mozilla Tech Policy Fellow working on targeted advertising. "){{< /nosup >}}, {{< nosup black >}}[Jules LaPlace](https://liquidarchitecture.org.au/artists/jules-laplace "Programmer and musician based in Berlin, creating artwork and conducting research with machine learning and data sonification."){{< /nosup >}}, {{< nosup black >}}[Halcyon Lawrence](https://liquidarchitecture.org.au/artists/halcyon-lawrence "Assistant Professor of Technical communication at Towson University in Maryland, whose scholarship focuses on speech intelligibility and the design of speech interactions, particularly for under-represented user populations."){{< /nosup >}}, {{< nosup black >}}[Jùnchéng Billy Lì](https://liquidarchitecture.org.au/artists/juncheng-billy-li "Ph.D. Student at the Language Technology Institute, Carnegie Mellon University, who has spent four years researching topics related to deep learning, including working on Deep Learning’s applications in audio and multi-modal data."){{< /nosup >}}, {{< nosup black >}}[Stefan Maier](https://liquidarchitecture.org.au/artists/stefan-maier "Artist and composer based in Vancouver, Canada, whose compositions, installations, and performances, examine historical and emergent sound technologies."){{< /nosup >}}, {{< nosup black >}}[Shannon Mattern](https://liquidarchitecture.org.au/artists/shannon-mattern "Professor in the Department of Anthropology at The New School in New York. Her writing and teaching focus on archives, libraries, and other media spaces; media infrastructures; spatial epistemologies; and mediated sensation and exhibition."){{< /nosup >}}, {{< nosup black >}}[Lauren McCarthy](https://liquidarchitecture.org.au/artists/lauren-mccarthy "An artist examining social relationships in the midst of surveillance, automation, and algorithmic living, and the creator of p5.js, an open source programming language for learning creative expression through code online."){{< /nosup >}},{{< nosup black >}} [Yeshimabeit Milner (Data for Black Lives)](https://liquidarchitecture.org.au/artists/yeshimabeit-milner "Founder & Executive Director of Data for Black Lives:a movement of activists, organizers, and mathematicians committed to the mission of using data science to create concrete and measurable change in the lives of Black people."){{< /nosup >}}, {{< nosup black >}}[Jazz Money](https://liquidarchitecture.org.au/artists/jazz-money "A poet and filmmaker of Wiradjuri heritage. She specialises in story telling, community collaboration and digital production."){{< /nosup >}}, {{< nosup black >}}[Thao Phan](https://liquidarchitecture.org.au/artists/thao-phan "Feminist STS researcher who specializes in gender, AI, and algorithmic cultures, and Research Fellow at the Alfred Deakin Institute for Citizenship and Globalisation."){{< /nosup >}}, {{< nosup black >}}[Kathy Reid (Mozilla)](https://liquidarchitecture.org.au/artists/kathy-reid "Working at the intersection of open source, emerging technologies and technical communities, She was previously Digital Platforms Manager at Deakin University, Director of Developer Relations at Mycroft.AI, President of Linux Australia, and a voice open source specialist at Mozilla."){{< /nosup >}}, {{< nosup black >}}[Joel Spring](https://liquidarchitecture.org.au/artists/joel-spring "A Wiradjuri man raised between Redfern and Alice Springs who works across research, activism, architecture, installation and speculative projects."){{< /nosup >}}, {{< nosup black >}}[Tom Smith](https://liquidarchitecture.org.au/artists/tom-smith "Sydney based artist, curator and musician, whose interests include the tyranny and poetics of the generic, aesthetic standardisation in music production, and the emancipatory potential of default media platforms."){{< /nosup >}}, {{< nosup black >}}[Yolande Strengers](https://liquidarchitecture.org.au/artists/yolande-strengers "Digital sociologist and human-computer interaction scholar investigating the energy and gender effects of digital, emerging and smart technologies on how we live and engage with each other."){{< /nosup >}},{{< nosup black >}}[Hito Steyerl](https://liquidarchitecture.org.au/artists/hito-steyerl "Artist, filmmaker and writer, with a focus on media, technology and the distribution of images."){{< /nosup >}}, {{< nosup black >}}[Jennifer Walshe](https://liquidarchitecture.org.au/artists/jennifer-walshe "Composer, performer and visual artist of whom the Irish Times has said that “without a doubt, hers is the most original compositional voice to emerge in Ireland in the last 20 years”."){{< /nosup >}}. ## Schedule diff --git a/data/books/catalog.json b/data/books/catalog.json index 1aef538..b1bde4a 100644 --- a/data/books/catalog.json +++ b/data/books/catalog.json @@ -1 +1 @@ -{"6676af8a-7a4d-4aa8-af96-f26452f58753": {"title": "Divination Engines: A media History of Text Prediction", "title_sort": "Divination Engines: A media History of Text Prediction", "pubdate": "2017-06-15 00:00:00+00:00", "last_modified": "2020-06-09 12:00:37.880000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "6676af8a-7a4d-4aa8-af96-f26452f58753", "tags": ["_tablet_modified"], "abstract": "", "publisher": "", "authors": ["Xiaochang Li"], "formats": [{"format": "pdf", "file_name": "Divination Engines_ A media His - Xiaochang Li.pdf", "dir_path": "Xiaochang Li/Divination Engines_ A media History (2)/", "size": 19319089}], "cover_url": "Xiaochang Li/Divination Engines_ A media History (2)/cover.jpg", "identifiers": [{"scheme": "bibhash", "code": "ARvOPJspR1SF"}], "languages": []}, "f5f0b4ef-9603-4aea-aa40-b5d0fbb9f4d7": {"title": "Smart Home Report", "title_sort": "Smart Home Report", "pubdate": "2018-06-15 00:00:00+00:00", "last_modified": "2020-06-09 12:00:43.520000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "f5f0b4ef-9603-4aea-aa40-b5d0fbb9f4d7", "tags": [], "abstract": "", "publisher": "", "authors": ["Audio Analytic"], "formats": [{"format": "pdf", "file_name": "Smart Home Report - Audio Analytic.pdf", "dir_path": "Audio Analytic/Smart Home Report (3)/", "size": 2653494}], "cover_url": "Audio Analytic/Smart Home Report (3)/cover.jpg", "identifiers": [{"scheme": "bibhash", "code": "+mTIjocigTCv"}], "languages": []}, "fc275850-d172-4ec1-ab4e-db5c4cc2b5df": {"title": "A Framework for the Robust Evaluation of Sound Event Detection", "title_sort": "A Framework for the Robust Evaluation of Sound Event Detection", "pubdate": "2020-06-15 00:00:00+00:00", "last_modified": "2020-06-09 12:00:47.729000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "fc275850-d172-4ec1-ab4e-db5c4cc2b5df", "tags": ["electrical engineering and systems science - audio and speech processing", "computer science - sound"], "abstract": "This work de\ufb01nes a new framework for performance evaluation of polyphonic sound event detection (SED) systems, which overcomes the limitations of the conventional collar-based event decisions, event F-scores and event error rates. The proposed framework introduces a de\ufb01nition of event detection that is more robust against labelling subjectivity. It also resorts to polyphonic receiver operating characteristic (ROC) curves to deliver more global insight into system performance than F1-scores, and proposes a reduction of these curves into a single polyphonic sound detection score (PSDS), which allows system comparison independently from operating points (OPs). The presented method also delivers better insight into data biases and classi\ufb01cation stability across sound classes. Furthermore, it can be tuned to varying applications in order to match a variety of user experience requirements. The bene\ufb01ts of the proposed approach are demonstrated by re-evaluating the baseline and two of the top-performing systems from DCASE 2019 Task 4.", "publisher": "", "authors": ["Cagdas Bilen", "Giacomo Ferroni", "Francesco Tuveri", "Juan Azcarreta", "Sacha Krstulovic"], "formats": [{"format": "pdf", "file_name": "A Framework for the Robust Eval - Cagdas Bilen.pdf", "dir_path": "Cagdas Bilen/A Framework for the Robust Evaluatio (4)/", "size": 666363}], "cover_url": "Cagdas Bilen/A Framework for the Robust Evaluatio (4)/cover.jpg", "identifiers": [{"scheme": "bibhash", "code": "LCq0llus6mWW"}], "languages": ["eng"], "series": "arXiv:1910.08440 [cs, eess]"}, "827d1f44-5a35-4278-a527-4df67e5ba321": {"title": "Intelligent Audio Analysis", "title_sort": "Intelligent Audio Analysis", "pubdate": "2014-06-15 00:00:00+00:00", "last_modified": "2020-09-19 13:52:17.753000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "827d1f44-5a35-4278-a527-4df67e5ba321", "tags": ["technology & engineering", "user interfaces", "acoustics & sound", "computers", "electronics", "imaging systems", "General", "electrical"], "abstract": "This book provides the reader with the knowledge necessary for comprehension of the field of Intelligent Audio Analysis. It firstly introduces standard methods and discusses the typical Intelligent Audio Analysis chain going from audio data to audio features to audio recognition. Further, an introduction to audio source separation, and enhancement and robustness are given. After the introductory parts, the book shows several applications for the three types of audio: speech, music, and general sound. Each task is shortly introduced, followed by a description of the specific data and methods applied, experiments and results, and a conclusion for this specific task. The books provides benchmark results and standardized test-beds for a broader range of audio analysis tasks. The main focus thereby lies on the parallel advancement of realism in audio analysis, as too often today\u2019s results are overly optimistic owing to idealized testing conditions, and it serves to stimulate synergies arising from transfer of methods and leads to a holistic audio analysis.", "publisher": "Springer Science & Business Media", "authors": ["Bj\u00f6rn W. Schuller"], "formats": [{"format": "pdf", "file_name": "Intelligent Audio Analysis - Bjorn W. Schuller.pdf", "dir_path": "Bjorn W. Schuller/Intelligent Audio Analysis (5)/", "size": 6114586}], "cover_url": "Bjorn W. 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\n

\"Virilio offers a cool, precise look at an impending future in which reality shall simply cease to exist. Highly recommended.\" -- Choice Surveying art history as well as the technologies of war and urban planning, one of France's leading intellectuals provides an introduction to a new \"logistics of the image.\"

", "publisher": "Indiana University Press", "authors": ["Paul Virilio"], "formats": [{"format": "pdf", "file_name": "The Vision Machine - Paul Virilio.pdf", "dir_path": "Paul Virilio/The Vision Machine (13)/", "size": 663881}], "cover_url": "Paul Virilio/The Vision Machine (13)/cover.jpg", "identifiers": [{"scheme": "google", "code": "zpduPwAACAAJ"}, {"scheme": "isbn", "code": "9780253325747"}], "languages": ["eng"]}, "fac6c1a2-946f-43c4-83f5-e54fd7185c18": {"title": "Adversarial Music: Real world Audio Adversary against Wake-word Detection System", "title_sort": "Adversarial Music: Real world Audio Adversary against Wake-word Detection System", "pubdate": "0101-01-01 00:00:00+00:00", "last_modified": "2020-09-19 13:53:37.271000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "fac6c1a2-946f-43c4-83f5-e54fd7185c18", "tags": ["Neural Information Processing Systems http://nips.cc/"], "abstract": "", "publisher": "", "authors": ["Juncheng Li| Shuhui Qu| Xinjian Li| Joseph Szurley| J. 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The proposed framework introduces a de\ufb01nition of event detection that is more robust against labelling subjectivity. It also resorts to polyphonic receiver operating characteristic (ROC) curves to deliver more global insight into system performance than F1-scores, and proposes a reduction of these curves into a single polyphonic sound detection score (PSDS), which allows system comparison independently from operating points (OPs). The presented method also delivers better insight into data biases and classi\ufb01cation stability across sound classes. Furthermore, it can be tuned to varying applications in order to match a variety of user experience requirements. The bene\ufb01ts of the proposed approach are demonstrated by re-evaluating the baseline and two of the top-performing systems from DCASE 2019 Task 4.", "publisher": "", "authors": ["Cagdas Bilen", "Giacomo Ferroni", "Francesco Tuveri", "Juan Azcarreta", "Sacha Krstulovic"], "formats": [{"format": "pdf", "file_name": "A Framework for the Robust Eval - Cagdas Bilen.pdf", "dir_path": "Cagdas Bilen/A Framework for the Robust Evaluatio (4)/", "size": 666363}], "cover_url": "Cagdas Bilen/A Framework for the Robust Evaluatio (4)/cover.jpg", "identifiers": [{"scheme": "bibhash", "code": "LCq0llus6mWW"}], "languages": ["eng"], "series": "arXiv:1910.08440 [cs, eess]"}, "827d1f44-5a35-4278-a527-4df67e5ba321": {"title": "Intelligent Audio Analysis", "title_sort": "Intelligent Audio Analysis", "pubdate": "2014-06-15 00:00:00+00:00", "last_modified": "2020-09-19 13:52:17.753000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "827d1f44-5a35-4278-a527-4df67e5ba321", "tags": ["technology & engineering", "user interfaces", "acoustics & sound", "computers", "electronics", "imaging systems", "General", "electrical"], "abstract": "This book provides the reader with the knowledge necessary for comprehension of the field of Intelligent Audio Analysis. 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Technol., doi:10.1007/s13347-017-0273-3", "publisher": "Philosophy & Technology", "authors": ["Dan McQuillan"], "formats": [{"format": "pdf", "file_name": "Data Science as Machinic Neopla - Dan McQuillan.pdf", "dir_path": "Dan McQuillan/Data Science as Machinic Neoplatonis (12)/", "size": 424642}], "cover_url": "Dan McQuillan/Data Science as Machinic Neoplatonis (12)/cover.jpg", "identifiers": [{"scheme": "doi", "code": "10.1007/s13347-017-0273-3"}], "languages": []}, "8558647f-101d-43ff-a531-5df8eb87199a": {"title": "The Vision Machine", "title_sort": "Vision Machine, The", "pubdate": "1994-09-14 14:00:00+00:00", "last_modified": "2020-09-19 13:52:55.465000+00:00", "library_uuid": "ac02bcce-a920-4add-befb-1dbc71589681", "librarian": "Em Azon", "_id": "8558647f-101d-43ff-a531-5df8eb87199a", "tags": ["Performing Arts", "Film", "General"], "abstract": "
\n

\"Virilio offers a cool, precise look at an impending future in which reality shall simply cease to exist. Highly recommended.\" -- Choice Surveying art history as well as the technologies of war and urban planning, one of France's leading intellectuals provides an introduction to a new \"logistics of the image.\"

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