From fbbc7aaba95cb174dfb39bf28af30fd707c23a87 Mon Sep 17 00:00:00 2001 From: james Date: Tue, 29 Sep 2020 20:44:47 +0000 Subject: [PATCH] Update 'content/topic/interviews.md' --- content/topic/interviews.md | 26 ++++++++++++++------------ 1 file changed, 14 insertions(+), 12 deletions(-) diff --git a/content/topic/interviews.md b/content/topic/interviews.md index 15de943..a0daf3d 100644 --- a/content/topic/interviews.md +++ b/content/topic/interviews.md @@ -29,18 +29,6 @@ has_experiments: [] ![Interview conducted on 10 September, 2020](audio:https://machinelistening.exposed/library/Yolande%20Stengers/Yolande%20Stengers%20and%20Jenny%20Kennedy%20(10)/Yolande%20Stengers%20and%20Jenny%20Kenn%20-%20Yolande%20Stengers.mp3) -## Angie Abdilla - -Angie talks to us about [Old Ways, New](https://oldwaysnew.com/), the Indigenous owned and led social enterprise she founded, based on Gadigal land in Redfern, Sydney. We discuss [Decolonising the Digital](http://ojs.decolonising.digital/index.php/decolonising_digital), Country Centered Design, a methodology which applies Indigenous design principles to the development of technologies for places, spaces and experiences, and how this contrasts with the 'placelessness' on which so many machine learning/listening systems are based. - -![Interview conducted on 2 September, 2020](audio:https://machinelistening.exposed/_preview/library/Angie%20Abdilla/Angie%20Abdilla%20(31)/Angie%20Abdilla%20-%20Angie%20Abdilla.mp3) - -## James Parker (w Jasmine Guffond) - -This is the first of three radio shows as part of [Jasmine's](https://jasmineguffond.bandcamp.com/album/microphone-permission) guest residency at Noods Radio. It features an interview with [James](https://law.unimelb.edu.au/about/staff/james-parker) about his research on machine listening, this curriculum, the project with Unsound, and a selection of electronic music. - -![Interview conducted on 1 September, 2020](audio:https://machinelistening.exposed/library/James%20Parker/James%20Parker%20(30)/James%20Parker%20-%20James%20Parker.mp3) - ## Jùnchéng Billy Lì @@ -56,6 +44,20 @@ Against Wake-word Detection Systems"](https://machinelistening.exposed/library/B ![Interview conducted on 4 September, 2020](audio:https://machinelistening.exposed/library/Andre%20Dao/Andre%20Dao%20(26)/Andre%20Dao%20-%20Andre%20Dao.mp3) +## Angie Abdilla + +Angie talks to us about [Old Ways, New](https://oldwaysnew.com/), the Indigenous owned and led social enterprise she founded, based on Gadigal land in Redfern, Sydney. We discuss [Decolonising the Digital](http://ojs.decolonising.digital/index.php/decolonising_digital), Country Centered Design, a methodology which applies Indigenous design principles to the development of technologies for places, spaces and experiences, and how this contrasts with the 'placelessness' on which so many machine learning/listening systems are based. + +![Interview conducted on 2 September, 2020](audio:https://machinelistening.exposed/_preview/library/Angie%20Abdilla/Angie%20Abdilla%20(31)/Angie%20Abdilla%20-%20Angie%20Abdilla.mp3) + + +## James Parker (w Jasmine Guffond) + +This is the first of three radio shows as part of [Jasmine's](https://jasmineguffond.bandcamp.com/album/microphone-permission) guest residency at Noods Radio. It features an interview with [James](https://law.unimelb.edu.au/about/staff/james-parker) about his research on machine listening, this curriculum, the project with Unsound, and a selection of electronic music. + +![Interview conducted on 1 September, 2020](audio:https://machinelistening.exposed/library/James%20Parker/James%20Parker%20(30)/James%20Parker%20-%20James%20Parker.mp3) + + ## Vladan Joler Vladan walks us through [Anatomy of an AI System](https://anatomyof.ai/), his 2018 work with [Kate Crawford](https://www.katecrawford.net/), which diagrams the Amazon Echo as an anatomical map of human labor, data and planetary resources. We talk about the politics of visibility and method as well as Vladan's work with [Share Lab](https://labs.rs/en/), "where indie data punk meets media theory pop to investigate digital rights blues."