From 3103ea5846f9f4fba87a6f046e04acef223500a9 Mon Sep 17 00:00:00 2001 From: zoe Date: Fri, 15 Oct 2021 01:20:32 +0000 Subject: [PATCH] Update 'content/experiment/word-processor.md' --- content/experiment/word-processor.md | 8 ++++++-- 1 file changed, 6 insertions(+), 2 deletions(-) diff --git a/content/experiment/word-processor.md b/content/experiment/word-processor.md index 096fff7..0d4d0fa 100644 --- a/content/experiment/word-processor.md +++ b/content/experiment/word-processor.md @@ -4,6 +4,10 @@ title: "word processor" # Word Processor -test +{{< yt id="ZZrdIU4S368" yt_start="0" modestbranding="true" color="white" >}} -test \ No newline at end of file +The Word Processor is a new tool for audio and text composition. The Word Processor is also a new tool for analysing the machine logics and potentials of Automatic Speech Recognition (ASR) – part of a methodology for exploring the problem. + +You never really know what speech interfaces, like Siri, hear, or how. The Word Processor shows ASR at work. By appropriating methods from speech-to-text and ASR as parameters for text and audio composition and experimentation, the Word Processor is a means to ‘lift the hood’ or ‘open the black box’ of otherwise opaque but ubiquitous technology. Here, machine listenings, mishearings and nonhearings become material for making and knowing. + +One way that we think about the tool is in terms of the history of ear training (medical, musical and other contexts too). Listening to the outputs of this tool feels like being taught how to listen like a machine. Perhaps what the instrument produces isn't so much new sounds as access to new (machinic) modes of listening. Each recording a different exemplification of machine listening. There is a temptation to 'gamify' the listening experience: to try to work out what the logic of the arrangement. \ No newline at end of file