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For such an ambient sensing environment to work, this very environment must be designed and shaped with embedded cameras and microphones in mind. Every room becomes a studio. Background noise must be minimized to make objects and sounds a little more legible. And we know that such environmental design doesn't stop at objects and spaces: it reshapes our own patterns of speaking and living as we learn to enunciate with a cadence, accent and tone that an algorithm can understand. For such an ambient sensing environment to work, this very environment must be designed and shaped with embedded cameras and microphones in mind. Every room becomes a studio. Background noise must be minimized to make objects and sounds a little more legible. And we know that such environmental design doesn't stop at objects and spaces: it reshapes our own patterns of speaking and living as we learn to enunciate with a cadence, accent and tone that an algorithm can understand.


# Bibliography
# Resources


[^Mattern]: Shannon Mattern, ['Urban Auscultation; or, Perceiving the Action of the Heart' *Places* (2020)](https://placesjournal.org/article/urban-auscultation-or-perceiving-the-action-of-the-heart/) [^Mattern]: Shannon Mattern, ['Urban Auscultation; or, Perceiving the Action of the Heart' *Places* (2020)](https://placesjournal.org/article/urban-auscultation-or-perceiving-the-action-of-the-heart/)
[^Schuller et al]: Schuller et al, [COVID-19 and Computer Audition: An Overview on What Speech & Sound Analysis Could Contribute in the SARS-CoV-2 Corona Crisis](https://arxiv.org/abs/2003.11117) (2020) [^Schuller et al]: Schuller et al, [COVID-19 and Computer Audition: An Overview on What Speech & Sound Analysis Could Contribute in the SARS-CoV-2 Corona Crisis](https://arxiv.org/abs/2003.11117) (2020)


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