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| Our devices are listening to us. Previous generations of audio-technology transmitted, recorded or manipulated sound. Today our digital voice assistants, smart speakers and a growing range of related technologies are increasingly able to analyse and respond to it as well. Scientists and engineers increasingly refer to this as “machine listening”, though the first widespread use of the term was in computer music. Machine listening is much more than just a new scientific discipline or vein of technical innovation however. It is also an emergent field of knowledge-power, of data extraction and colonialism, of capital accumulation, automation and control. It demands critical and artistic attention. | Our devices are listening to us. Previous generations of audio-technology transmitted, recorded or manipulated sound. Today our digital voice assistants, smart speakers and a growing range of related technologies are increasingly able to analyse and respond to it as well. Scientists and engineers increasingly refer to this as “machine listening”, though the first widespread use of the term was in computer music. Machine listening is much more than just a new scientific discipline or vein of technical innovation however. It is also an emergent field of knowledge-power, of data extraction and colonialism, of capital accumulation, automation and control. It demands critical and artistic attention. | ||||
| MACHINE LISTENING is a new investigation and experiment in collective learning, instigated by artist [Sean Dockray](https://liquidarchitecture.org.au/artists/sean-dockray), legal scholar [James Parker](https://liquidarchitecture.org.au/artists/james-parker), and curator [Joel Stern](https://liquidarchitecture.org.au/artists/joel-stern) for [Liquid Architecture](http://liquidarchitecture.org.au/ "Liquid Architecture") and launched at [Unsound 2020: Intermission.](https://www.unsound.pl/en/intermission "Unsound") It comes out of our previous work on [Eavesdropping.](https://eavesdropping.exposed/) | |||||
| MACHINE LISTENING is a new investigation and experiment in collective learning, instigated by artist [Sean Dockray](https://liquidarchitecture.org.au/artists/sean-dockray), legal scholar [James Parker](https://liquidarchitecture.org.au/artists/james-parker), and curator [Joel Stern](https://liquidarchitecture.org.au/artists/joel-stern) for [Liquid Architecture](http://liquidarchitecture.org.au/ "Liquid Architecture") and launched at [Unsound 2020: Intermission.](https://www.unsound.pl/en/intermission "Unsound") It comes out of our previous work on [Eavesdropping.](https://eavesdropping.exposed/) | |||||
| ## Contributors | ## Contributors | ||||
| @@ -49,6 +49,7 @@ A curriculum is also a technology, a tool for supporting and activating learning | |||||
|  |  | ||||
| Research and writing assistance from [Zoë de Luca](https://liquidarchitecture.org.au/artists/zoe-de-luca) | |||||
| Images designed by [Debris Facility](https://liquidarchitecture.org.au/artists/debris-facility) | Images designed by [Debris Facility](https://liquidarchitecture.org.au/artists/debris-facility) | ||||
| ## Sessions | ## Sessions | ||||